Wednesday, October 24, 2012

Sunday, July 29, 2012

Low key launching

I opened my Etsy store but I'm keeping it pretty low key until I get a few more items posted.
But officially it's there:

http://www.etsy.com/shop/InvertedPath

I'll be selling some of the sketches I post here on the blog as well as prints and cards.
Let me know if you have any requests!

Saturday, June 30, 2012

Dabbling in watercolor

I've been noodling around a bit with paining of late. 
This one I painted at the lake,  to test out a new kit of russian pan watercolor.



This last one I believe was painted last summer based from an even older photo.

Sometimes it's nice to just loosen up and play.

Sunday, June 24, 2012

Pencils



Pencils for the first six pages of my friend's comic story. I'm breaking up the script and doing the layouts/ first pencils and he will be painting the final art over top with his cintique.

I learned a lot from this project. Mainly that when I'm not so self-conscious about my work , I can really produce. I'm going to get to work on my comic and use this method of making a set of  pages and then coming back to them to tighten up the art.







Friday, June 1, 2012

A new Goddess underway

Here's the under-drawing for the next in the Misfit Goddess series:


I'm contemplating a rather obnoxious color scheme for Gracie. Flying orangutans already set the stage for a nice bright orange. I may post the color studies if they turn out anything interesting.

Sunday, May 20, 2012

venus_pair

venus_pair by inverce
venus_pair, a photo by inverce on Flickr.

Venus Liber and Venus Codependentem- watercolor on bristol

Saturday, May 19, 2012

Summer Time: New work shall commence...


Here's the sketch of the companion painting to Venus Liber. I've just begun searching for the next Venus reference to become a new misfit goddess for this series. 

Sunday, January 22, 2012

Wednesday, January 4, 2012

New work in progess



Botanical details: cacti, touch-me-nots (jewel weed), and ume
butterfly- memphis verticordia venus (a clue to the origin of the composition)